 |
 |
 |
 |
 |
 |
 |
 |
 |
 |
| |
|
|
|
|
 |
| |
 |
 Calling
all music fans based in the UK... Do you want your views to be read
by 5000 people a day? Contact soundsxp
and become one of the contributors.
|
| |
|
| |
|
|
Bon Bon Club: Lullaby 7"
Smokers
Die Younger: Sketchpads 7"
Vichy Government:
White Elephants (album)
Fleet Foxes
(album)
Honeytrap:
Follies in Great Cities (album)
Left Outsides:
The Third Light 7"
The Heartstrings:
Try Fly Blue Sky (album)
Various:
Independents Day ID08 (double album)
What Would
Jesus Drive?: Boomtown T*ats (10")
Various:
IndieTracks (double album)
|
|
| |
|
|
Contact Details:
Email: SoundsXP
Or post to:
SoundsXP,
30 Somerville Road,
London, SE20 7NA, UK
UK releases only.
Please note: If submitting demos or self financed releases - we currently
have a backlog of such material. It could be some time before your item
is reviewed.
|
|
| |
|
|
|
|
| |
|
|
|
------------------------
Web
Pages referring to this page
Link to this page and get a link back!
|
|
| |
|
 |
 |
|
 |
| |
|
| |
I Love You But I've Chosen Darkness
Fear is on Our Side
Secretly Canadian Records
|
Article
written by Bob M
Mar 28, 2006.
|
Following up its self-titled 2003 EP, I Love You But I’ve Chosen Darkness offers up Fear is on Our Side, a true-blue New Wave record, but not in an homage sort of way; it’s got substance and heart, though clearly one bloodied and shredded. This five-piece Austin group made up of Tim White, Christian Goyer, Ernest Salaz, Daniel Del Favaro, and Edward Robert —with the assistance of former Ministry tech mastermind Paul Barker producing and engineering—pulls no punches on the tone and sonic landscape. It’s electro/new wave honed and polished, at times harkening back to vintage 1980s New Romantic bands and other times sliding into a modern industrial/electronica feel apropos of A Perfect Circle.
Loads of guitars, metallic and mechanical rhythms, sweeping choruses, discordant-but-melodic vocals and an unmistakable melancholy demeanor, you’ll find yourself alternately mesmerized and involuntarily tapping your feet.
“The Owl” has a sort of plodding, Nine Inch Nails industrial feel, one that seems to work within the scope of the song and album. The title track, a high point, is as finely crafted pop industrial tune as you’re likely to find anywhere, with an infectious beat, soaring guitar harmonics and powerful vocal harmonies.
“Untitled” is a moving instrumental of pulsing rhythm, haunting strings and an oddly mesmerizing melody winding all within and around each other; it could easily be the ending credits to a off-kilter suspense movie or the opening credits to a bleak period film. The album’s closer track, “If It Was Me,” is a pulsating, driving, swirling sledgehammer, playing heavily on the long, sprawling jam but never losing the thread, never seeming like they’re just messing about, never coming across as a hack act.
Such is the album.
Untitled Document
What's your view?
Comment on the Forum
Other
discussions on the SoundsXP forums right now...
Spread the word: Email this article
|
|
|
|
 |
|
 |
|
|
|
RSS | MESSAGE
BOARDS | SEARCH
