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Various: Dark Was The Night

Passion Pit: Sleepyhead (EP track)

Betty & The Werewolves: David Cassidy 7”

Crystal Stilts: Love is a Wave 7”

Sin Fang Bous: Clamour (album)

Nodzzz: s/t (12” LP)

Love Is All: A Hundred Things Keep Me Up At Night (album)

Sons of Noel and Adrian: A Wreck Is Not A Ship (track)

Slow Down Tallahassee/ Standard Fare: split 7”

Piney Gir & The Age of Reason Of All The Wonderful Things (single)

Navvy: Idyll Intangible (album)

Various: Cathedral Classics Vol 1 (Sonic Cathedral comp)

Fanfarlo: Reservoir (album)

Camera Obscura: My Maudlin Career (album)
 

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Album Review


We Are Scientists With Love and Squalor
Virgin


Article written by Matt P
Oct 13, 2005.

Yes, We Are Scientists do sound similar to many other indie guitar bands floating about at the moment. But do hesitate before you drop them in a box dismissively and distastefully labled "post-punk" or (even worse) "art-rock." There's enough variation and catchy hooks on this here album to interest even the most weary of indie cynics. The three scientists take "geek chic" to a previously unseen level; although I am assured by a close female confidante that vocalist Keith is "definitely compelling!"

The album kicks off with debut single "Nobody Move, Nobody Get Hurt"; a jerky, dancy number that inevitably will be re-released with a new video once the band take off. Not that they should be struggling for eligible singles: "Cash Cow" is notable for it's bleak sounding guitars and breathlessly shouty chorus. "Callbacks" is raw and angry, and makes it's point rapidly: clocking in at a trim two minutes. In stark contrast, "Textbook" is brooding and reflective, whilst "Lousy Reputation" is Bravery style uber-pop. Current single "The Great Escape" is pre-eminent, featuring a piece of guitar torture so high pitched it'll make your ears bleed in sympathy. An equally high point though is "It's A Hit": possibly destined to be just that due to it's exuberant chorus.

It must be added that the vocals could become slightly irritating, suited as they are to emo style self-loathing. The upbeat nature of most of the album ensures against that fate however. Although they may be a little late to arrive on a scene already gorged stupid with angular indie bands, this is a very impressive offering.


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